Master of Arts (Percussion Music)
Master of Arts (Percussion Music)
Master of Arts (Percussion Music) (Year-I)
| Programme Name : Master of Arts (Percussion Music) | ||||||||
|---|---|---|---|---|---|---|---|---|
| Semester | Name of the Course | Type of the Course | Course Number | UPC | Total Credits | Credit Distribution of the paper | ||
| Theory | Tutorial | Practical | ||||||
| List of Core Courses | ||||||||
| I | APPLIED THEORY | Core | DSC-1 | 4 | 3 | 1 | 0 | |
| I | ADVANCE STAGE PERFORMANCE – 1 | Core | DSC-2 | 4 | 0 | 0 | 4 | |
| I | ADVANCE PRACTICAL ASSESSMENT OF TALA-1 | Core | DSC-3 | 4 | 0 | 0 | 4 | |
| II | THEORY: MUSICAL INSTRUMENTS FROM ANCIENT TO PRESENT TIME | Core | DSC-4 | 4 | 3 | 1 | 0 | |
| II | ADVANCE STAGE PERFORMANCE – 2 | Core | DSC-5 | 4 | 0 | 0 | 4 | |
| II | ADVANCE PRACTICAL ASSESSMENT OF TALA-2 | Core | DSC-6 | 4 | 0 | 0 | 4 | |
| List of Discipline Specific Electives | ||||||||
| I | INTERDISCIPLINARY APPROACH IN PERCUSSION MUSIC | Discipline Specific Elective | DSE-1 A | 4 | 3 | 1 | 0 | |
| I | STUDY OF CLASSIFICATION OF RAGAS | Discipline Specific Elective | DSE-1 B | 4 | 3 | 1 | 0 | |
| I | COMPARATIVE STUDY OF INDIAN CLASSICAL MUSIC SYSTEMS -HINDUSTANI AND KARNATAK | Discipline Specific Elective | DSE-1 C | 4 | 3 | 1 | 0 | |
| I | THEORETICAL ASPECTS OF INDIAN MUSIC | Discipline Specific Elective | DSE-2 A | 4 | 3 | 1 | 0 | |
| I | MUSIC OF THE ASIAN CONTINENT | Discipline Specific Elective | DSE-2 B | 4 | 3 | 1 | 0 | |
| I | HISTORICAL STUDY OF THE EVOLUTION OF RAGAS, TALAS AND MUSIC INSTRUMENTS | Discipline Specific Elective | DSE-2 C | 4 | 3 | 1 | 0 | |
| II | RESEARCH METHODOLOGY | Discipline Specific Elective | DSE-3 A | 4 | 3 | 1 | 0 | |
| II | STUDY OF HINDUSTANI AND KARNATAK TALA SYSTEM | Discipline Specific Elective | DSE- 3 B | 4 | 3 | 1 | 0 | |
| II | COMPARATIVE STUDY OF THE MUSICAL INSTRUMENTS USED FOR KARNATAK AND HINDUSTANI CONCERT | Discipline Specific Elective | DSE-3 C | 4 | 3 | 1 | 0 | |
| II | GENERAL THEORY OF PERCUSSION MUSIC | Discipline Specific Elective | DSE-4 A | 4 | 3 | 1 | 0 | |
| II | THEORY: STUDY OF WESTERN MUSIC SYSTEM | Discipline Specific Elective | DSE-4 B | 4 | 3 | 1 | 0 | |
| II | THEORY: MUSICAL CONCEPTS, COMPOSITIONS AND INSTRUMENTS | Discipline Specific Elective | DSE-4 C | 4 | 3 | 1 | 0 | |
| List of Generic Electives (GE) | ||||||||
| I | THEORY AND PRACTICE OF TABLA | Generic Elective | GE-1 | 4 | 2 | 0 | 2 | |
| II | DEMONSTRATION OF TABLA | Generic Elective | GE-2 | 4 | 2 | 0 | 2 | |
| Skill Based Course (SBC) | ||||||||
| I | REPAIR AND MAINTENANCE OF PERCUSSION INSTRUMENTS | Skill Based Course | SBC-1 | 2 | 0 | 0 | 2 | |
| II | ASSESSMENT OF TALA LAYAKARI & PADHANT | Skill Based Course | SBC-2 | 2 | 0 | 0 | 2 | |
Structure-I (Curricular Structure with only Course Work)
| Programme Name : Master of Arts (Percussion Music) | ||||||||
|---|---|---|---|---|---|---|---|---|
| Semester | Name of the Course | Type of the Course | Course Number | UPC | Total Credits | Credit Distribution of the paper | ||
| Theory | Tutorial | Practical | ||||||
| List of Core Courses | ||||||||
| III | Stage Performance | Core | DSC-7 | 4 | 0 | 0 | 4 | |
| III | Practical Assessment of Talas | Core | DSC-8 | 4 | 0 | 0 | 4 | |
| IV | Stage Performance | Core | DSC-9 | 4 | 0 | 0 | 4 | |
| IV | Practical Assessment of Talas | Core | DSC-10 | 4 | 0 | 0 | 4 | |
| List of Discipline Specific Electives | ||||||||
| III | Aesthetics and appreciation of Indian Music | Discipline Specific Elective | HM DSE-5A | 4 | 3 | 1 | 0 | |
| III | Fundamental Study of Hindustani Music | Discipline Specific Elective | HM DSE-6A | 4 | 3 | 1 | 0 | |
| III | Evolution and Development of Musical Concepts | Discipline Specific Elective | HM DSE-7A | 4 | 3 | 1 | 0 | |
| III | Musicological Study and Lakshana Granthas | Discipline Specific Elective | KM DSE-5B | 4 | 3 | 1 | 0 | |
| III | Ancient Music of Tamizh tradition | Discipline Specific Elective | KM DSE-6B | 4 | 3 | 1 | 0 | |
| III | Aesthetics and Appreciation of Indian Music | Discipline Specific Elective | KM DSE-7B | 4 | 3 | 1 | 0 | |
| III | Application of Theoretical Terminology of Tabla | Discipline Specific Elective | PM DSE-5C | 4 | 3 | 1 | 0 | |
| III | Classification of Musical Instruments | Discipline Specific Elective | PM DSE-6C | 4 | 3 | 1 | 0 | |
| III | Documentation and Preservation Music | Discipline Specific Elective | PM DSE-7C | 4 | 3 | 1 | 0 | |
| III | Indian Music and its Aesthetical Approach | Discipline Specific Elective | HM DSE-8A | 4 | 3 | 1 | 0 | |
| III | General Study of Hindustani Music | Discipline Specific Elective | HM DSE-9A | 4 | 3 | 1 | 0 | |
| III | Multidimensional Aspects of Indian Music | Discipline Specific Elective | HM DSE-10A | 4 | 3 | 1 | 0 | |
| IV | Multidimensional Values of Indian Music | Discipline Specific Elective | KM DSE-8B | 4 | 3 | 1 | 0 | |
| IV | Keertana by Prominent Vag-geyakaras | Discipline Specific Elective | KM DSE-9B | 4 | 3 | 1 | 0 | |
| IV | Comprehensive Study of Tala of Karnatak Music | Discipline Specific Elective | KM DSE-10B | 4 | 3 | 1 | 0 | |
| IV | Aesthetical Analysis of Tala Vadyas | Discipline Specific Elective | PM DSE-8C | 4 | 3 | 1 | 0 | |
| IV | Evolution and Influence of Gharana | Discipline Specific Elective | PM DSE-9C | 4 | 3 | 1 | 0 | |
| IV | Theoretical Aspects of Avanaddha Vadyas | Discipline Specific Elective | PM DSE-10C | 4 | 3 | 1 | 0 | |
| IV | Research Methodology | Discipline Specific Elective | DSE-11 | 4 | 3 | 1 | 0 | |
| List of Generic Electives (GE) | ||||||||
| III | Forms of Hindustani Music | Generic Elective | GE-3A | 4 | 2 | 0 | 2 | |
| III | Karnatak Music Concerts Then and Now | Generic Elective | GE-3B | 4 | 2 | 0 | 2 | |
| III | Rhythmic Aesthetics and Performance Techniques of Tabla | Generic Elective | GE-3C | 4 | 3 | 1 | 0 | |
| IV | Semi-classical forms of Hindustani Music | Generic Elective | GE-4A | 4 | 2 | 0 | 2 | |
| IV | Musical Forms Attributed to Culture and Tradition in South India | Generic Elective | GE-4B | 4 | 2 | 0 | 2 | |
| IV | Theory and Practical Performance of Tabla | Generic Elective | GE-4C | 4 | 3 | 1 | 0 | |
| Skill Based Course (SBC) | ||||||||
| III | PLAYING TECHINQUES OF HARMONIUM | Skill Based Course | SBC-3 | 2 | 0 | 0 | 2 | |
| IV | Advance Playing Techniques of Harmonium | Skill Based Course | SBC-4 | 2 | 0 | 0 | 2 | |
Structure-II (Curricular Structure with Course Work + Research)
| Programme Name : Master of Arts (Percussion Music) | ||||||||
|---|---|---|---|---|---|---|---|---|
| Semester | Name of the Course | Type of the Course | Course Number | UPC | Total Credits | Credit Distribution of the paper | ||
| Theory | Tutorial | Practical | ||||||
| List of Core Courses | ||||||||
| III | Stage Performance | Core | DSC-7 | 4 | 0 | 0 | 4 | |
| III | Practical Assessment of Talas | Core | DSC-8 | 4 | 0 | 0 | 4 | |
| IV | Stage Performance | Core | DSC-9 | 4 | 0 | 0 | 4 | |
| IV | Practical Assessment of Talas | Core | DSC-10 | 4 | 0 | 0 | 4 | |
| List of Discipline Specific Electives | ||||||||
| III | Aesthetics and appreciation of Indian Music | Discipline Specific Elective | HM DSE-5A | 4 | 3 | 1 | 0 | |
| III | Fundamental Study of Hindustani Music | Discipline Specific Elective | HM DSE-6A | 4 | 3 | 1 | 0 | |
| III | Musicological Study and Lakshana Granthas | Discipline Specific Elective | KM DSE-5B | 4 | 3 | 1 | 0 | |
| III | Ancient Music of Tamizh tradition | Discipline Specific Elective | KM DSE-6B | 4 | 3 | 1 | 0 | |
| III | Application of Theoretical Terminology of Tabla | Discipline Specific Elective | PM DSE-5C | 4 | 3 | 1 | 0 | |
| III | Classification of Musical Instruments | Discipline Specific Elective | PM DSE-6C | 4 | 3 | 1 | 0 | |
| IV | Evolution and Development of Musical Concepts | Discipline Specific Elective | HM DSE-7A | 4 | 3 | 1 | 0 | |
| IV | Indian Music and its Aesthetical Approach | Discipline Specific Elective | HM DSE-8A | 4 | 3 | 1 | 0 | |
| IV | Aesthetics and Appreciation of Indian Music | Discipline Specific Elective | KM DSE-7B | 4 | 3 | 1 | 0 | |
| IV | Multidimensional Values of Indian Music | Discipline Specific Elective | KM DSE-8B | 4 | 3 | 1 | 0 | |
| III | Documentation and Preservation Music | Discipline Specific Elective | PM DSE-7C | 4 | 3 | 1 | 0 | |
| IV | Aesthetical Analysis of Tala Vadyas | Discipline Specific Elective | PM DSE-8C | 4 | 3 | 1 | 0 | |
| III | Research Methodology | Discipline Specific Elective | DSE-9 | 4 | 3 | 1 | 0 | |
| List of Generic Electives (GE) | ||||||||
| III | Forms of Hindustani Music | Generic Elective | GE-3A | 4 | 2 | 0 | 2 | |
| III | Karnatak Music Concerts Then and Now | Generic Elective | GE-3B | 4 | 3 | 1 | 0 | |
| III | Rhythmic Aesthetics and Performance Techniques of Tabla | Generic Elective | GE-3C | 4 | 3 | 1 | 0 | |
| IV | Semi-classical forms of Hindustani Music | Generic Elective | GE-4A | 4 | 2 | 0 | 2 | |
| IV | Musical Forms Attributed to Culture and Tradition in South India | Generic Elective | GE-4B | 4 | 3 | 1 | 0 | |
| IV | Theory and Practical Performance of Tabla | Generic Elective | GE-4C | 4 | 3 | 1 | 0 | |
| Dissertation/ Academic Project/ Entrepreneurship | ||||||||
| III | Dissertation/ Academic Project/ Entrepreneurship | Dissertation/ Academic Project/ Entrepreneurship | III | 6 | 0 | 0 | 0 | |
| IV | Dissertation/ Academic Project/ Entrepreneurship | Dissertation/ Academic Project/ Entrepreneurship | IV | 6 | 0 | 0 | 0 | |
Structure-III (Curricular Structure with only Research)
| Programme Name : Master of Arts (Percussion Music) | ||||||||
|---|---|---|---|---|---|---|---|---|
| Semester | Name of the Course | Type of the Course | Course Number | UPC | Total Credits | Credit Distribution of the paper | ||
| Theory | Tutorial | Practical | ||||||
| List of Core Courses | ||||||||
| III | Theory of Indian Music | Core | DSC | 4 | 3 | 1 | 0 | |
| IV | NIL | |||||||
| List of Discipline Specific Electives | ||||||||
| III | Indian Tala Notation System | Discipline Specific Elective | DSE-1 | 4 | 3 | 1 | 0 | |
| III | Aesthetical Analysis Of Tala Vadyas | Discipline Specific Elective | DSE-2 | 4 | 3 | 1 | 0 | |
| IV | Musical Terminology | Discipline Specific Elective | DSE-3 | 4 | 3 | 1 | 0 | |
| IV | Theoretical Aspects Of Avanaddha Vadyas | Discipline Specific Elective | DSE-4 | 4 | 3 | 1 | 0 | |
| Research Methods/ Tools/ Writing Courses | ||||||||
| III | Advanced Research Methodology of the Core discipline | Research Methods/ Tools/ Writing Courses | 2 | 2 | 0 | 0 | ||
| III | Tools for Research | Research Methods/ Tools/ Writing Courses | 2 | 2 | 0 | 0 | ||
| IV | Techniques of research Writing | Research Methods/ Tools/ Writing Courses | 2 | 2 | 0 | 0 | ||
| Problem-Based Research Courses | ||||||||
| III | Problem-Based Research | Problem-Based Research Courses | 10 | 0 | 0 | 0 | ||
| IV | Problem-Based Research | Problem-Based Research Courses | 16 | 0 | 0 | 0 | ||